‘Lil Nas X: Long Live Montero’ Review: A Concert Film Captures the Scrappy Grandeur of Lil Nas X Onstage, Revealing Who He Is
‘Finestkind’ Review: Family Tensions Come To The Surface In Brian Helgeland’s Multi-Purpose Boston Drama – Toronto Film Festival
‘An Endless Sunday’ Review: Lost Kids Roam the Streets of Rome in Promising Italian Debut
‘My Big Fat Greek Wedding 3’ Review: Nia Vardalos Directs an Unfortunate Affair Filled With Beauty and Blunders
‘Lubo’ Review: A Slow-Moving Account of a Historical Outrage that Gets Lost on the Long Road to Redress
‘Io Capitano’ Review: A Gritty, Heartbreaking Study Of Migrant Dreams From Italy’s Matteo Garrone – Venice Film Festival
‘Nyad’ Review: Annette Bening And Jodie Foster Soar In Thrilling Saga Of A Driven Swimming Legend Who Won’t Give Up On A Lifelong Dream – Telluride Film Festival
‘Maestro’ Review: Bradley Cooper and Carey Mulligan Make Beautiful Music Together in Cooper’s Haunting Leonard Bernstein Biopic
‘Maestro’ Review: Bradley Cooper’s Triumphant Turn As Leonard Bernstein Is A Love Story On More Than One Level – Venice Film Festival
‘Adagio’ Review: A Great Cast Smoulders In Stefano Sollima’s Slow-Burn Rome-Set Gangster Drama – Venice Film Festival
‘Food, Inc. 2’ Review: A Disappointing Sequel Lacks the First Film’s Tasty and Revelatory Insights
‘Dogman’ Review: Caleb Landry Jones Blows The Roof Off Luc Besson’s Boisterously Insane Action Thriller – Venice Film Festival
‘El Conde’ Review: Pablo Larraín’s Latest Is A Bold, Wildly Irreverent Sensational Creation – Venice Film Festival
‘El Conde’ Review: Pablo Larraín’s Bizarro-World Reckoning With Pinochet’s Bloodthirsty Legacy
‘Sweet Dreams’ Review: A Gorgeous, Sardonic Portrait of Colonial Decline
‘Silent Roar’ Review: A Fresh Debut Feature From Scotland Surfs Playfully Across Classic Themes of Sex, Death and Religion
‘Blue Beetle’ Review: DC Superhero Origin Story Succeeds with a Mix of ’80s-Style VFX and Low Stakes
‘Yannick’ Review: A Brechtian Heckler Hijacks the Show in Quentin Dupieux’s Absurdist Delight
‘The Falling Star’ Review: Abel and Gordon Stumble With Odd Blend of Slapstick and Film Noir
‘The Beasts’ Review: A Disturbing Look at a Deadlock Between Neighbors in Lawless Galicia
