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Chris Stapleton review – bringing southern comfort to the Manchester drizzle
An unexpected army of cowboys are treated to the country superstar’s remarkable range and expertly crafted songs, which make up in soul what he lacks in showmanship
It’s emblematic of just how vastly popular the US country singer now is: he’s collaborated with everyone from Taylor Swift to Adele, racks up more monthly listeners on Spotify than the Eagles, Amy Winehouse or Dolly Parton, and has countless awards to his name. Joined by a killer five-piece band, the opening White Horse – all big, punchy, rousing country-blues to be blasted while hurtling down a freeway – is immediate testament to what a tight unit they are. He straddles the line between easy-listening country, the kind that pumps out of diners and waffle houses, and old-school back porch whiskey-drinking songs; combined with modern pop flourishes, a pinch of soul, and some contemporary Americana.
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