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Walk on the wild side: Gillian Anderson and Jason Isaacs on their epic hiking movie The Salt Path


Raynor Winn’s bestselling memoir about her and her husband’s 630-mile trek around England’s south coast has become a film. Its stars, makers and Winn talk floods, fog and forgiveness

While cowering in the hallway from bailiffs, Winn took inspiration from a cherished book glimpsed among their partly packed belongings: Five Hundred Mile Walkies, in which Mark Wallington recounts the trek he and his dog took around the south-west. It is as if they are still playing their parts from The Salt Path: Raynor Winn, with her patina of reserve and caution, and Moth, eager to make sure everyone else is comfortable, a people-pleaser even when the people aren’t worth pleasing, as some of those they meet on their travels manifestly are not. “I couldn’t grasp how that could be a film.” But Marianne Elliott, the acclaimed stage director of War Horse, Angels in America, and Company, makes her screen directing debut here and tells me she always saw The Salt Path as inherently cinematic.

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