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Twilight’s Final Vampire Battle Is Better Than Anything Marvel Has Ever Done
Slay, TCU (Twilight Cinematic Universe)!
If the movies were known for anything, it was for a familiar love triangle of attractive non-teens and a general sense of swooning adolescent angst, accentuated by a mall-goth-ready soundtrack and that iconic blue camera filter. The camera trains in on a flaming torch reflected in dead Michael Sheen’s eyes, and then cuts to him fully intact, standing in the pre-bloodied snow.It turns out this entire battle was just a part of Alice’s vision of what would have happened had Aro decided to pursue his mission of killing the godforsaken vampire child. Herein lies the timeless beauty of Twilight, and of all the other vampire movies and TV showsshamelessly built on audience thirst (many of which will be celebrated over the next week on vulture dot com): There’s just something about wildly infeasible bloodlust that keeps us coming back for more.
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