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The Stoner Canon: Over 100 Trippy Movies, Albums, Books, TV Shows, and More
The ultimate guide to experiencing the high.
Featuring the world’s biggest, longest, slowest, heaviest mutating riff(or “visual landscape,” as fan Jim Jarmusch puts it) may be good for introspection or entering mythic realms — this album’s hour-long song involves a procession of weed priests “unearthing the creed of Hasheeshian,” and implores us to “drop out of life” and “follow the smoke to the riff-filled land.” (It’s an all-in, not-remotely-moderately-consuming experience, so we’re almost there already.) The rest is heavy but also comfy, with tons of joy and life affirmation and yuks, a synergized funk rich with surprises: flatulence, robo-bass, cuckoo clocks, the lowing of cows, tilt-a-whirl organ, and Latin percussion leading to furious guitar shredding on “Super Stupid,” high-energy proto-metal about losing the fight to fear, and just one of this record’s many perfect incongruities for the scrambled brain. Sensual disembodied voices are sliced and diced and rendered dub-wise here — moaning, gasping, sighing, and saying alluringly partial things like the elemental “because you move” or the resigned “nothing to do.” It’s as if Finnish “microhouse” pioneer Vladislav Delay (here called Luomo) were presenting warm, open-ended questions or invitations, and reconstituting it all amidst a thick and hypnotic house beat rich with a cornucopia of beautifully orchestrated teensy “clicks and cuts” (as genre specialists put it).
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