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The Curse Finale Recap: The Gravitron


Asher is holding on for dear life. Not that it, or anything, matters.

That the series had shifted form and maybe even slipped into a new time register was evident from the moment the cameras at Rachael Ray, a talk show that no longer airs, lingered on a live studio audience wearing orange surgical masks. The purpose of this move becomes clear when Asher wakes up from a good night’s sleep mysteriously attached to the ceiling of his home, which he fondly refers to as “this fucking house.” The hysteria surrounding this development feels appropriate and somehow understated. This Asher can never hold his son, the one Whitney looks at with blissed-out wonder as the camera roves out of the operating room, down the streets of Española, and back into this fucking house before finally fading to black.

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