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Sunny Recap: Highly Pathological
Suzie’s decadelong relationship with the possibly-dead Masa comes into clearer focus.
ImaTech may be a Japanese robot company of the near future, but its headquarters don’t look that different from the giant Manhattan insurance office where Jack Lemmon worked in Billy Wilder’s 1960 classic The Apartment. After that colorfully animated title sequence set to Mari Atsumit’s ’60s hit “Sukiyo Aishite,” which I’ve already come to love, we’re back with poor Suzie, drinking and smoking in her bathrobe as she reflects on her first meeting with her probably dead husband. The receptionist refuses to let Suzie into Masa’s office, but she catches a break when she sees Yuki Tanaka the Younger, the same clown who drunkenly insulted her dead husband at the holiday party last episode.
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