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Sharon Van Etten Discusses Her New Album and a Different Kind of Diversity and Inclusion


The singer-songwriter challenged herself to allow bandmates into the "safe space" of her creative process and came up with an album for the times.

Van Etten’s collaboration with The Attachment Theory, which was co-produced by Marta Salogni (Björk, Depeche Mode, Porridge Radio) and recorded at The Church Studios in London, advances farther into the electronic territory she explored on her last two albums. Chilled, angular ‘80s-style synth and sharp, punchy drums offset the warmth of Van Etten’s crystalline and lissome vocals, and when they meet at a song’s crescendo — as they do on “Live Forever” and “Afterlife”— it’s a real headrush. Speaking of parenthood, in “Southern Life (What It Must Be Like), you sing, “My hands are shaking as a mother trying to raise her son right.” Can you talk a little bit about the meaning of that song?

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