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Notes on a sandal: why I’m a Birkenstock afficionado | Teo van den Broeke
As the brand sues rivals, arguing its designs are artefacts that transcend footwear, a devotee hails the 250-year-old, once humble corkbed shoes
Birkenstock is suing several competitors for allegedly copying four of its most recognisable styles: the Arizona and Madrid sandals, the Gizeh flip-flop, and the Boston clog – a closed-toe design beloved by the likes of Kaia Gerber, Jason Momoa and Gigi Hadid, with sales in 2024 more than doubling the company’s average. Just as I trust 140-year-old Jermyn Street brand Turnbull & Asser for shirts that will survive endless hot washes, and Gucci for snaffle loafers that I’ll be able to pass on to the next generation, I – like many others – believe in Birkenstock to continue delivering sandals that are as comfortable on a hike as they are suitable for sitting on the front row. This is partly thanks to its robust programme of collaborations with the likes of Rick Owens, Valentino, Manolo Blahnik and Dior, not forgetting its role on the feet of Margot Robbie’s Barbie, all of which have solidified Birkenstock’s status as a go-to for both fashion fans and everyday wearers.
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