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Nala Sinephro: Endlessness review – cosmic jazz musician’s cycle-of-life meditation
The harpist-composer follows her remarkable debut with 10 lush, spacey electro-acoustic tracks featuring guests such as Nubya Garcia
Composer Nala Sinephro ’s extraordinary 2021 debut, Space 1.8, was stitched together by the then 22-year-old from multiplayer jams recorded in alignment with lunar cycles, fusing her keyboards and modular synth oscillations with jazz instrumentation – piano, saxophone, percussion and her own harp. Although the Belgian-born, London-based Sinephro balks at the “ambient jazz” label, her intuitive, “medicinal” music’s kinship to spiritual forbears such as Alice Coltrane remained palpable. This follow-up stays in that same rarefied space but expands outward, involving a stellar array of contemporaries – among them, saxophonists Nubya Garcia and James Mollison (Ezra Collective), Sheila Maurice-Grey (Kokoroko) on flugelhorn and erstwhile Black Midi drummer Morgan Simpson.
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