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Milan fashion week: Prada liberates as Max Mara brings Brontë drama
Prada’s roomy dresses are an answer to restrictive women’s fashion, while Max Mara aims for ‘the corridors of power’
There were Audrey Hepburn collars and rows of pearl buttons, trapeze line silhouettes and chain handle bags. Ian Griffiths, the British creative director of Max Mara, starts with what real women wear and builds fashion out from there, rather than the other way around. We all have our dramas going on inside, so our clothes should, too.” A weekend in Yorkshire led him to the Brontë heroines Catherine Earnshaw and Jane Eyre, and a collection of rustling greatcoats, hardy layers with bellow pockets, chunky boots, stiff tweeds and grand velvets.
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