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Little Things, Big Problems


Turns out Denzel Washington crime dramas can sometimes be bad, too.

The film is about as old-fashioned as it gets: It was reportedly first written in 1993, and over the years has had a number of heavy-hitter auteurs attached to it, including Steven Spielberg and Clint Eastwood (the latter of whom had collaborated at the time with screenwriter, now director, John Lee Hancock on the elegiac manhunt masterpiece A Perfect World). It certainly feels like the kind of serial-killer thriller we might have had back when such movies meant big business: Tortured protagonist, fresh-faced partner, grisly killings, sudden twists, and heaps of atmosphere. We then cut to Joe Deacon (Washington), a lowly sheriff’s deputy in Kern County, California, as he returns to his old haunt of Los Angeles and unofficially joins the investigation into a rash of serial killings that bear some resemblance to murders that occurred when he was a homicide detective in L.A. Deacon is haunted, it seems, both by the women whose deaths he couldn’t solve — he talks to corpses and, at night, imagines the dead staring back at him — and by the unspecified cloud under which he left the department.

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