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Gal Gadot’s Snow White Song Is a Remarkable Anti-Performance
It’s rare to see something so misconceived, committed to with such force, in a way that isn’t trying to be camp.
Logically, it makes sense that it took any opportunity to expand the universe of the film (mostly through confusing lore) and add new music.But it wasn’t until Gal Gadot’s Evil Queen actually started to sing that I began to process what was going to unfold in front of me. The songwriting duo have a habit of churning out late-2010s-style theatrical pop for the screen — you may wonder why so many of this kingdom’s residents are prone to stomping and yodeling at their celebrations like they’re at a Lumineers concert.They’ve written a big, belt-y solo for Rachel Zegler(free her soprano! And those jewels the Queen keeps gloating over all look like costume jewelry, or the kind of thing you’d dig out of a barrel in the gift shop of a mine-themed roller coaster for 99 cents a scoop.
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