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Franz Ferdinand: The Human Fear review – more revitalisation than reinvention


The Scottish art rockers’ sixth album benefits from an infusion of fresh blood, but can’t maintain the standards of the first few songs

A sparkling 2015 collaboration with Sparks aside, Franz Ferdinand’s career has felt like an exercise in diminishing returns, each successive album slightly less interesting than its predecessor. From the opener Audacious on, it’s clear that revitalisation rather than reinvention is key, with Kapranos’s distinctive, arch delivery very much retaining centre stage, and the penchant for a big chorus undimmed. Indeed, there’s a long-absent freshness to the first few songs, which simply fizz with ideas: The Doctor possesses a manic energy; the standout Hooked deserves to fill dancefloors.

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