22 Episodes Of Netflix's Best Japanese Show Deliver Peak Battle Royale
Hitsujibungaku, Kyary Pamyu Pamyu & Otoboke Beaver to Play Japanese Music Showcase matsuri ’26 in London
U.S.-Based Japanese Music Company Nebula17 Expands Team & Roster: ‘J-Pop Feels Ready for Its Moment’
‘Alice in Borderland’ Star Isomura Hayato on the Role He Was Warned Off, Judging Tokyo’s Ethical Film Award and Why Japanese Cinema Needs Government Backing
New Japanese Animation Prize Named Nippon Anime Awards, Sets First Ceremony for November 2027
Tokyo: Industry Insiders Skeptical of Bold Japanese Government Plans for Overseas Content Sales Push
New Japanese Drama Series ‘The Employee’ Is Smashing Stereotypes About Women In The Workplace, Says NHK Producer
‘Between Us’ Director Matsumura Shingo on Finding Connection After Disaster and Making Films on Japanese Budgets
Japanese Drifter’s Road Trip to Korea Drives Uchiyama Takuya’s ‘The Blue Breaks’ at Tokyo Gap-Financing Market
Billboard Japan & Luminate’s ‘NOW PLAYING JAPAN Vol. 6’ Focuses on Overseas Perspectives on the Japanese Market, How to Leverage Metadata
‘Between Us’ Review: Estranged Teenagers Process Past Tragedy Through High School Theater in Fitfully Ambitious Japanese Drama
Kore-eda Hirokazu Hails Japanese Cinema’s Global Moment as Ninomiya Kazunari, Academy’s Amy Homma and ‘Kokuho’ Producer Murata Chieko Take Stage at Kering Women in Motion Tokyo Event
Yuriko Gamo Romer & Marc Smolowitz On The 12 Year Journey Behind Their Japanese-U.S. History Baseball Doc ‘Diamond Diplomacy’ — Tokyo
Tokyo Opener ‘Sukiyaki’ Director Zeze Takahisa on the Protest Roots of a Global Japanese Pop Hit: ‘The Culture Used to Be Wide Open – Now It’s Become Narrower’
Tokyo Film Festival Director Takeo Hisamatsu Wants More Money, More Parties and a Bigger Global Profile for Japanese Cinema
Japanese Producers Drive Tokyo Market Growth as Exhibition Space Sells Out
KATSEYE, MAZZEL Producer Taka Perry Talks Career From Sydney to Tokyo & Appeal of Japanese Music: Unbound Japan Interview
Japanese manga artist Tetsuya Chiba, known for his boxing masterpiece 'Ashita no Joe,' dies at 87
Tokyo: TIFFCOM Market Chief On Riding the Japanese IP Wave as Entertainment Landscape Shifts Due to AI
Japanese Director Naomi Kawase to Lead Doha Film Festival Jury
