‘The Love That Remains’ Review: Hlynur Pálmason’s Exquisitely Tender, Increasingly Haywire Portrait of a Family in Limbo
Hlynur Pálmason Finds ‘Beauty in the Mundane’ in ‘The Love That Remains’ and Calls for Change in Icelandic Film Industry
Göteborg Nordic Film Market: ‘An Education’s’ Lone Scherfig, ‘Godland’s’ Hlynur Pálmason, ‘Orphanage’ Director Shahrbanoo Sadat Make the Cut (EXCLUSIVE)
