Chile’s Karla Melo to Headline Booze-Fueled Comedy ‘Relatos de una Mujer Borracha’ (EXCLUSIVE)
Chile’s Alfredo Castro Preps Directorial Debut, ‘Los Trabajadores de la Muerte’ (EXCLUSIVE)
Chile’s Quijote Films, Arte+ Unite for ‘The Mysterious Gaze of the Flamingo’ (EXCLUSIVE)
Castoffs to catwalk: fashion show shines light on vast Chile clothes dump visible from space
Chile Hits New Awards Record as CinemaChile, Now 15, Illustrates the Virtues of an Industry Priority: Promotion
Chile’s Vibrant Documentary Scene at Berlinale With ‘Oasis’ and ‘Towards the Sun, Far From the Center’
Compañía de Cine Snags Docu “Pirópolis” by Chile’s Nicolás Molina
Ventana Sur SoloSeries: Netflix, Some of Chile’s Finest Producers, & Web Series From Ultra New Talent
Felipe Carmona Reflects on Chile’s Brutal Past in Debut ‘Prison in the Andes’: ‘There Is Still No Closure’
Chile’s BF Distribution Nabs Lat Am Rights to ‘El Silencio de Marcos Tremmer’ (EXCLUSIVE)
Chile’s Storyboard Media, Río Estudios and Argentina’s MagmaCine Join Forces to Produce TV Series and Film, ‘Habitación 205’ (EXCLUSIVE)
Chile’s Clara Films Boards Lucia Lalor’s ‘Mam’ from Argentina’s Gale Cine (EXCLUSIVE)
Meikincine Nabs International Sales on Reflective San Sebastian Rough-Cut Title ‘Maybe It’s True What They Say About Us,’ From Chile’s Storyboard Media (EXCLUSIVE)
Sundance Winner ‘The Eternal Memory,’ From ‘The Mole Agent’s’ Maite Alberdi, Smashes Box Office Records in Chile
Starring Leandra Leal, Marco Pigossi, Yuki Sugimoto, Gabe Klinger’s ‘Okonomiyaki’ Teams Brazil, Chile, France (EXCLUSIVE)
Chile’s International Prize Bonanza Supercharged by Next Generation Women Directors as Trophy Count Soars (EXCLUSIVE)
‘The Stoplight Society’ Director Ruben Mendoza, Costa Rica’s Laura Astorga, Chile’s Equeco Set for Sanfic Industria’s Santiago Lab (EXCLUSIVE)
