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Anurag Kashyap Boards Venice, Busan, Mumbai Title ‘Pooja, Sir’ as Executive Producer, Channel 4 Buys for U.K. and Ireland (EXCLUSIVE)

Korea’s ‘The Land Of Morning Calm’, Myanmar’s ‘MA Cry Of Silence’ Win New Currents Awards At Busan

Five Takeaways From Busan’s Expanded Asian Film Market

Busan Project Market Winners: Kang Bo’s ‘Kingdom of the Insomniacs’ Takes Top Prize, ‘Hum’ Claims Multiple Awards

BTS’ RM’s ‘Right People, Wrong Place’ Doc Screens At Busan; “Allows Audience To Experience Album Journey Together” Says Director

New Currents Winner Iqbal H. Chowdhury Returns to Busan With ‘Dhakar Nagin’ Project

Busan Market: Vietnam Independent Cinema Is Reaching Out, Overcoming Financing Gaps

Indonesia’s Falcon Pictures Talks Sequel To Hit Remake ‘Miracle In Cell No. 7’ At Busan’s ACFM

Sri Lankan Project ‘Rabbit Hole’ Spotlights Social Divisions at Busan’s Asian Project Market

Busan Market Chief Sees Virtue in Convergence, Conferences and Crossover as Film Industry Seeks Route out of Turmoil

Huma Qureshi Leads Police Drama ‘Bayaan’ at Busan’s Asian Project Market

Elephant Captivity Indian Animation ‘Mangal’ Heads to Busan’s Asian Project Market

Busan Jury President Mohammad Rasoulof Says German Oscar Submission For ‘The Seed Of The Sacred Fig’ Should Give Other Filmmakers Hope

Busan New Currents Title ‘Tale of the Land’ Unveils Trailer (EXCLUSIVE)

Busan’s Industry Platform ACFM Puts Focus On AI, Co-Production & Streaming

Busan Premiere Indian Doc ‘A Fly on the Wall’ Examines Assisted Death and Friendship, Teaser Unveiled (EXCLUSIVE)

FilmSharks Clinches Theatrical Deals for Hugo J. Cardozo’s ‘Do Not Enter,’ Bows International Trailer Ahead of Busan Premiere (EXCLUSIVE)

‘RM: Right People, Wrong Time’: Doc About BTS Star’s Second Album Recording Premiering At Busan

Busan To Open With Park Chan-wook’s Netflix Title ‘Uprising’, Close With Eric Khoo’s ‘Spirit World’; Kiyoshi Kurosawa Named Asian Filmmaker Of The Year

Busan Competition Titles Include Films By Brillante Mendoza, Rima Das & Tom Lin