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Busan Winner, Bangladesh Oscar Entry ‘The Wrestler’ Heads to EFM With Indywood (EXCLUSIVE)
Rima Das’ Berlin-Bound Busan Winner ‘Village Rockstars 2’ Boarded by Diversion for World Sales (EXCLUSIVE)
Anurag Kashyap Boards Venice, Busan, Mumbai Title ‘Pooja, Sir’ as Executive Producer, Channel 4 Buys for U.K. and Ireland (EXCLUSIVE)
Korea’s ‘The Land Of Morning Calm’, Myanmar’s ‘MA Cry Of Silence’ Win New Currents Awards At Busan
Five Takeaways From Busan’s Expanded Asian Film Market
Busan Project Market Winners: Kang Bo’s ‘Kingdom of the Insomniacs’ Takes Top Prize, ‘Hum’ Claims Multiple Awards
BTS’ RM’s ‘Right People, Wrong Place’ Doc Screens At Busan; “Allows Audience To Experience Album Journey Together” Says Director
New Currents Winner Iqbal H. Chowdhury Returns to Busan With ‘Dhakar Nagin’ Project
Busan Market: Vietnam Independent Cinema Is Reaching Out, Overcoming Financing Gaps
Indonesia’s Falcon Pictures Talks Sequel To Hit Remake ‘Miracle In Cell No. 7’ At Busan’s ACFM
Sri Lankan Project ‘Rabbit Hole’ Spotlights Social Divisions at Busan’s Asian Project Market
Busan Market Chief Sees Virtue in Convergence, Conferences and Crossover as Film Industry Seeks Route out of Turmoil
Huma Qureshi Leads Police Drama ‘Bayaan’ at Busan’s Asian Project Market
Elephant Captivity Indian Animation ‘Mangal’ Heads to Busan’s Asian Project Market
Busan Jury President Mohammad Rasoulof Says German Oscar Submission For ‘The Seed Of The Sacred Fig’ Should Give Other Filmmakers Hope
Busan New Currents Title ‘Tale of the Land’ Unveils Trailer (EXCLUSIVE)
Busan’s Industry Platform ACFM Puts Focus On AI, Co-Production & Streaming
Busan Premiere Indian Doc ‘A Fly on the Wall’ Examines Assisted Death and Friendship, Teaser Unveiled (EXCLUSIVE)
FilmSharks Clinches Theatrical Deals for Hugo J. Cardozo’s ‘Do Not Enter,’ Bows International Trailer Ahead of Busan Premiere (EXCLUSIVE)
‘RM: Right People, Wrong Time’: Doc About BTS Star’s Second Album Recording Premiering At Busan
