Joy review: These test tube baby pioneers deliver a real bundle of joy, writes BRIAN VINER
Gladiator II review: Thumbs up! Muscular Mescal slays it as the son of Maximus, writes BRIAN VINER
Paddington In Peru review: Our favourite bear's third adventure is a whisker behind its predecessor but it still pushes the boat out... all the way down the Amazon, says BRIAN VINER
The new Pretty Woman? This wild caper about a stripper and a shady high-roller is far cleverer, BRIAN VINER writes
The Room Next Door review: Tilda and Julianne are impeccable in debut English film for legendary Spanish director, writes BRIAN VINER
Salem's Lot review: More laughs than shrieks in this vapid vampire flick, writes BRIAN VINER
Joker: Folie À Deux review: You'll go Gaga for this gripping Joker sequel, writes BRIAN VINER
His Three Daughters review: Savour this exquisite elegy to death and sisterhood, writes BRIAN VINER
The Critic review: It's Agatha Christie on steroids (and McKellen's magnificent), writes BRIAN VINER
Beetlejuice Beetlejuice review: These ghouls just want to have fun - shame the film is a mess! writes BRIAN VINER
Was Maria Callas really a whining, self-pitying, endlessly needy victim? Angelina Jolie stars as revered opera singer in a new biopic that projects little of her cultural stature, writes BRIAN VINER
It Ends With Us review: Blake Lively and co-star are easy on the eye in hotly anticipated drama which is shallow and cheesy but with a dark hear, writes BRIAN VINER
Didi review: Teenage angst is tenderly observed in this brilliant drama, writes BRIAN VINER
Twisters review: It may all be gale-force nonsense, but it's very watchable, writes BRIAN VINER
Thelma review: Mission Impossible on a mobility scooter, writes BRIAN VINER
Beverly Hills Cop: Axel F review: A pleasing nostalgia trip, writes BRIAN VINER
A Quiet Place: Day one review: Whisper it, but this is fantastic, writes BRIAN VINER
The Bikeriders review: Jodie Comer's motorbike epic is The Godfather on wheels, writes BRIAN VINER
Megalopolis review: Sadly, this may be the great Francis Ford Coppola's Mega-flopolis, writes BRIAN VINER
The Fall Guy review: Stuntman Ryan Gosling steals the show... and his screen chemistry with Emily Blunt is the real deal, writes BRIAN VINER
