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Eno review – exhilarating Brian Eno documentary that’s different at every screening


Gary Huswit’s suitably innovative profile of the mercurial British musician, activist and artist uses specially developed software to create endless iterations of the same film

The traditional approach of the average music documentary – a dutiful plod through talking-head interviews and archive footage – might pin down a few of the biographical facts of Eno’s life and work, but it could hardly be further removed from its spirit. Using specially developed software (dreamed up in collaboration with creative technologist Brendan Dawes), Hustwit has created an exhilarating and innovative cinematic experience: a generative film that is different every time it screens. My iteration, in which David Byrne and Talking Heads featured prominently, was thoughtful and philosophical; I imagine there are far more angular and abrasive possible versions (I would be fascinated to see an incarnation that touched on Eno’s tricky collaboration with Devo, for example).

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