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Denzel Washington’s ‘Othello,’ With Jake Gyllenhaal, Has Two Great Star Turns But Little Flavor: Theater Review
Denzel Washington and Jake Gyllenhaal can't save a poor production.
Well, “the masses” may be a stretch — the new production of “ Othello ” that Washington leads, now playing at the Ethel Barrymore Theatre, has broken box office records on the strength of orchestra tickets selling for over $900 a seat. (That’s not a problem faced by Gyllenhaal, at least, whose alternation between ingratiating suavity and darting, weaselly insecurity turn his Iago into an utterly modern figure — his words may be Elizabethan, but his bearing is that of a men’s rights activist.) I referred earlier to Washington’s excellence with line delivery advisedly: He is made, late in the show, to feign a seizure in a moment that doesn’t land, and the blocking of his final scene, in which the actor mutters to the ceiling while lying on his back, similarly thuds.
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