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Can Hong Kong Film’s Recovery Continue?
During Berlin, Hong Kong authorities will reveal a further tranche of funding for co-productions, an expansion targeted to bring in European partners.
“These 50 films cover a diverse range of genres and themes, many of which are produced by emerging directors, and starring young actors and new idols [and have] successfully attracted a wider audience to return to the cinemas,” said Yee. The Hong Kong vibe has even brought back a smattering of old-school films, i.e. stylish, crime tales (“The Goldfinger,” “Rob N Roll”), alongside local stories like “A Light Never Goes Out,” about the city’s neon street signage, which is rapidly disappearing. And, within mainland China, pilot projects are now underway to restructure the distribution and exhibition sectors, bolster opportunities for indies and create some middle ground for titles that fall between blockbuster and niche.
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