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Andie MacDowell looks typically chic in a white blouse and shades as she leaves her hotel during Cannes Film Festival after daughter Margaret Qualley's film The Substance received rave reviews
The actress, 66, beamed broadly as she accepted the gift at the legendary Hotel Martinez while taking in the sights of the festival.
It's exactly the jolt of extravagantly stylised genre energy the Cannes Film Festival needed at this midway point, and Moore, making a mighty comeback, seizes the role as if her life depended on it. Ripping into her best big-screen role in decades, Moore is fearless in parodying her public image, Qualley showcases a wicked sense of humour as Barbie's evil twin, and Quaid hams it up joyously as an obnoxious, flashy-suited impresario. Fargaet's movie escalates with the kind of ultra-confident audacity that leaves you laughing out loud at sights that would otherwise make you shriek instead, and it simply refuses to end until even Harvey himself is sickened by how society pressures women into shaping their bodies.
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