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‘Touch’ Review: Baltasar Kormákur’s Melancholy Lost-Love Story Is Familiar But Charming
‘Touch’ review: Baltasar Kormákur’s melancholy lost-love story is familiar but charming
On the surface, Touch seems to be a sudden change of pace for Icelandic director Baltasar Kormákur, a quiet and polished film-of-the-book (in this case, the novel of the same name by fellow countryman Ólafur Jóhann Ólafsson) that could easily pass for a BBC presentation. It does, however, square with his action-thriller output, being the story of a man on a mission; admittedly, nothing to do with savage lions ( Beast, 2022), mountaineering ( Everest, 2015) or Colombian drug cartels ( Contraband, 2012), but older audiences will respond to its hero’s perilous journey into the past, risking Covid and the disapproval of his stepdaughter in his bid to solve a mystery that has haunted him for 50 years. If it wasn’t for the subtitles, you’d swear this was a British movie from the early 2000s, following the Brit-lit conventions established along the way by the film adaptations of bestsellers such as Ian McEwan’s Atonement and On Chesil Beach, or Graham Swift’s Last Orders, or Julian Barnes’s Metroland.
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