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'The Girl With the Needle' Review: A dark, urgently timely Danish drama about an unwanted pregnancy at a time when abortion was illegal


The Palme d'Or competitor from Magnus von Horn centers on the vulnerability of pregnant women at a time when abortion was illegal and other options few and far between.

Danish actress Vic Carmen Sonne ( Holiday, Godland) offers an understated but multi-layered performance as Karoline, a vulnerable but resilient seamstress living in post-WWI/early-1920s Copenhagen, who is left high and dry when her wealthy lover (Joachim Fjelstrup) gets her knocked up but won’t marry her. Shot digitally, in black and white and using a claustrophobic 3:2 ratio by rising cinematographer Michal Dymek ( A Real Pain, EO), the film has the haunted, eerily still poise of antique photographs, an aesthetic that will delight cineastes but may prove a hard sell commercially, especially given the grimness of the topic. Although she has a job working at a local clothing factory making uniforms (sewists and textile machinery geeks will be fascinated to see the workers operating vintage hand-cranked machines while standing up, all recreated on a stage set), she’s getting no income from her husband Peter who went off to fight for the allies in WW1 and hasn’t been heard from in months.

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