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‘I Saw The TV Glow’ Review: Jane Schoenbrun Assaults The Senses With A Trippy Gut Punch – Sundance Film Festival
In the space of just two movies, Jane Schoenbrun has established a completely unique aesthetic; from the opening credits alone, a riot of black light and neon pastels, it’s obvious that I Saw the T…
In the space of just two movies, Jane Schoenbrun has established a completely unique aesthetic; from the opening credits alone, a riot of black light and neon pastels, it’s obvious that I Saw the TV Glow comes from the same mind that created the trippy 2021 cult hit We’re All Going to the World’s Fair. For those ready and willing to embrace its commitment to mood over logic, I Saw the TV Glow is a must-see, pairing the otherworldly ambience of Kyle Edward Ball’s Skinamarink with the morbid surrealism of Charlie Kaufman’s Synecdoche, New York. The Pink Opaque is a supernatural soap opera in which two teenage girls named Isabel and Tara, synched up by a psychic bond that connects them across the astral plane, do battle with Mr. Melancholy, the show’s “big bad”.
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