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‘A Different Man’ Review: Is Sebastian Stan the Right Person to Play This Part? You Decide in Daring A24 Drama
With boundary-defying performances from Stan and Adam Pearson, Aaron Schimberg’s dizzying think-piece raises bold questions about representation.
Here we are, three weeks into January, and the Sundance Film Festival has delivered what promises to be the year’s most uncomfortable date movie: a grubby New York-set fable about a facially distinctive actor (modeled on Adam Pearson) who undergoes an experimental procedure that leaves him looking like Sebastian Stan — presumably an improvement, until he realizes that under the skin, he’s still the same miserable loser. “Twilight Zone”-level weird at times, “A Different Man” suggests the bizart-house version of a Woody Allen movie, wherein traditional jokes have been axed in favor of long, cringe-inducing scenes between a nervous shlub named Edward (Stan, disguised to the point of unrecognizability) and the out-of-his-league neighbor on whom he has a crush (Renate Reinsve of “The Worst Person in the World”). If you’ve seen Schimberg’s previous feature, “Chained for Life,” or Jonathan Glazer’s out-there “Under the Skin,” then you’re already familiar with Pearson, a British actor whose unique appearance — the result of a condition called neurofibromatosis, incorrectly associated for years with “Elephant Man” Joseph Merrick — made him just right for a handful of incredibly specific film roles.
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