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’32 Sounds’ Filmmaker Sam Green on Why He Wants Audiences to Wear Headphones: ‘It’s the Best Possible Sound Experience’
Filmmaker Sam Green on mixing "32 Sounds" and why listening to it on headphones is the best experience.
In one scene, foley artist Joanna Fang is in a studio drumming her feet and tugging on ropes as she imagines what a falling pine tree landing in snow would sound like. It’s an idea that’s not taught in film school, instead, you learn about microphones, kilohertz, speaker dispersion patterns, and a lot of techie garbage, We got Ambisonic microphones and we had our sound recordist leaning out of the window and went to town with it, and we realized they were terrible, so that just got built from the ground up with filters and reverb.
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