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Too Much Recap: Lights, Camera, Action
Chekhov’s private Instagram account finally goes off.
Jess tries to understand what’s happening, both by asking directly and by trying to rekindle some of their playfulness, but it’s like she’s trying to reach him through “bulletproof glass.” Irritable and hungover one morning, he calls her “dramatic,” a dismissal that sounds like it’d come from Zev. That’s only one of the small disasters that overtake the shoot: Kim wants to go home because Josie hasn’t texted her or followed her back on Instagram after they had sex; Jonno is MIA because Ann is done mothering their kids, Jonno, and their Irish wolfhound, Diane, looking instead to do things for herself, like “audit a criminal psychology class.” After making a younger member of the crew uncomfortable, Jim walks off the shoot, saying he “doesn’t take creative notes from people he doesn’t respect,” the non-respectable person in this case being Jess, who relays the clients’ doubts about Jim’s Christmas-apocalypse idea. Hoxton Grove Estate is shrouded in bad vibes, from Jess’s fighting neighbors — a group of women who have been, by turns, loving and hateful toward each other all season, their intensity coming to a head when one of them is seduced by the other’s boyfriend — to Felix’s lethargy.
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