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Juan Sebastián Mesa, Tatiana Huezo, Felipe Solari Yrigoyen Triumph at San Sebastián Industry Awards
Mikel Gurrea’s ‘Saints’ Lands Distribution Deals Ahead Of San Sebastián Competition Debut — First Look Trailer
Jesse Eisenberg Talks Writing ‘The Debut’ Specifically For His “Favorite Actor And Actress” Julianne Moore & Paul Giamatti — San Sebastián
El Sol Ermitaño Launches at San Sebastián Festival With WIP Title ‘Lovers Go Home’ (EXCLUSIVE)
Urban Sales Boards Ricardo Alves Jr.’s Religious Cult Thriller ‘The French Teacher’ Ahead of San Sebastián Premiere (EXCLUSIVE)
Chile’s ‘Erratics,’ Blending Denis Lavant, Speculative Fiction and Ghost Cinema, Bows at San Sebastián New Directors Competition
Pablo Larraín Ventures Into Argentina With His San Sebastián Golden Shell Contender ‘My Sad Dead’
Tatiana Huezo, Juan Sebastián Mesa, Mónica Lima, Val Jashari Among 10 Filmmakers Vying for WIP LatAm and Europa Awards at San Sebastián
Movistar Plus Announces 2027 Slate, Including JA Bayona & Fernando León Projects, At San Sebastián
Kazakhstan’s ‘Mugalim’ From Director Ayana Nurdinova World Premieres in the New Directors Section of San Sebastián
Ready, SETT, Go: SETT Execs Drill Down on the Spanish Sovereign Venture Capital Fund That Will Drive Industry Conversation at San Sebastián
San Sebastián Chief José Luis Rebordinos on His Final Year at the Helm — and Being the Only Top Film Festival to Take a Political Stance
Naomi Watts Says She’d Like To Work With Paul Thomas Anderson & Praises The Advancements Older Women Have Made In Hollywood — San Sebastián
World Premiering at San Sebastián, Igor Legarreta Describes His Third Film ‘The Blind Ants’ as a Coastal Western Set in the Basque Country
San Sebastián Opens With Political Declarations And Tributes To Werner Herzog & Outgoing Festival Director José Luis Rebordinos
Catalonia: A Dozen Highlights at San Sebastián, From a Time-Loop Thriller to a Singular Heist Tale and a Potential Arthouse Sleeper
José Luis Rebordinos Reflects On His Final Year At San Sebastián: “What Surprises Me The Most Is How Much The Festival Has Grown”
‘Rojo’ Director Benjamín Naishtat on Awaited Toronto, San Sebastián Title ‘Glaxo,’ the Impunity of Power and Connecting via Genre
Alpha Violet Picks Up Naëmi Ada’s ‘Body of Glass’ Ahead of San Sebastián (EXCLUSIVE)
San Sebastián Festival Gets Spanish Government Industry Boost
