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Stephen Fry was born to play Lady Bracknell: PATRICK MARMION reviews The Importance of Being Earnest at the Noel Coward Theatre

CLARKSTON review: Heartstopper's Joe Locke has nailed this coming of age part says PATRICK MARMION

LADY FROM THE SEA review: This modern re-hash of Henrik Ibsen's 19th century saga starring Andrew Lincoln, Alicia Vikander and Joe Alwyn fails to whip up a storm says PATRICK MARMION

Southern fried Shakespeare, a ghost at a barbecue, cussing and karaoke: it's Hamlet, but not as we know it, says theatre critic Patrick Marmion

PATRICK MARMION reviews Lily Allen's Hedda in Bath: Singer just can't inject much empathy into this malignant narcissist

Heaven, I'm in Heaven...Kathleen Marshall's enchanting new production of Irving Berlin's Top Hat is the perfect summer tonic, says Patrick Marmion

PATRICK MARMION reviews Burlesque at the Savoy Theatre: A laborious theatrical rehash of an already lamentable film

Lovestuck, a new romcom about a disastrous first date, is in the worst possible taste. But it's also the funniest thing since Celine Dion spoof Titanique, says the Mail's theatre critic Patrick Marmion

PATRICK MARMION reviews Fiddler On The Roof's first night at the Barbican Theatre: Topol made the film sing, but this Fiddler dances to its own tune

Waiting For Godot review: Beckett's 'Laurel and Hardy' lift gloomy Godot, writes PATRICK MARMION

Two Of Us review: Imagined... Lennon and McCartney's melancholic last meeting, writes PATRICK MARMION

Kiss Me Kate review: Dunbar? He's Wunderbar in this sexy, sassy revival, writes PATRICK MARMION

Richard III review: Playing Richard III as Donald Trump is crass, punk-rock history, writes PATRICK MARMION

Ulster American review: Woody Harrelson's got A-lister troubles, writes PATRICK MARMION

Backstairs Billy review: Imagine the Queen Mum caught in a surprisingly saucy Carry On Clarence House, writes PATRICK MARMION

Lyonesse review: Sunset Boulevard meets Ab Fab set in Cornwall... with Lily James and Kristin Scott Thomas serving up the stardust, writes PATRICK MARMION