Korea

Korea Box Office: Action-Comedy ‘Boss’ Debuts at No. 1, Park Chan-wook’s ‘No Other Choice’ Moves to Second

Korea, France Lead International Charge at Taiwan Creative Content Fest

Korea Box Office: Yeon Sang-ho’s ‘The Ugly’ Rises to No. 1 as ‘Demon Slayer’ Moves to Second

The Ink Factory Partners With Korea’s VO Media On Adaptation Of John Le Carre’s ‘A Most Wanted Man’

Korea’s ‘Arrival of Water’ Explores Grief and Language Gaps at Busan’s Asian Project Market

Busan Winner Park Ri-woong’s ‘Gilddong’ Aims to Be Korea’s ‘Gladiator’ at Asian Project Market

Korea’s Finecut Unveils Three Films On Busan ACFM Slate

Park Chan-wook on Korea’s Cinema Crisis, ‘Unfortunate’ WGA Expulsion and the Message Behind Busan Opener ‘No Other Choice’: ‘Is It All Meaningless?’

K-Pop Catalogs Are Booming — How Korea’s Music Investment Market Is Changing the Game

Korea’s Yoon Ga-eun Talks Third-Person Storytelling Shift in Toronto Film ‘The World of Love’: ‘I Feel More Like a Part of the Audience’

Park Chan-wook’s ‘No Other Choice’ Selected by Korea for Oscars

Korea Selects Park Chan-Wook’s Venice Hit ‘No Other Choice’ As Oscars Submission

‘BTS Movie Weeks’ Trailer: Korea’s Record-Breaking Boyband Launches Four Concert Films Ahead Of Comeback

Korea’s BTS Releases Four Concert Films Ahead Of Comeback

Vanessa Lee of The Things We Do Spills K-Beauty Tips After Jetting Off to Korea With Kim and Khloé Kardashian

Korea Box Office: ‘My Daughter Is a Zombie’ Leads Again as ‘Pretty Crazy’ Debuts Strong

‘Squid Game’ Season 3 Powers Netflix Lead as Korea’s Premium VOD Market Hits $1.1 Billion, Report Finds

Lim Kim Signs With Universal Music Korea

Korea Box Office: ‘My Daughter Is a Zombie’ Holds No. 1, ‘Ballerina’ Debuts in Third

Song Young-Kyu Dies: Korea’s ‘Extreme Job’ Actor Was 55