‘The Face of Horror’ Review: Anna Biller Brings Her Brand of Technicolor Feminism to a Tale of Chivalry (or Lack Thereof)
Anna Biller on ‘The Love Witch’ Follow-Up ‘The Face of Horror’ and Her Issues With ‘Obsession’: ‘The Male Point of View Is Always Going to Sell Better’ (EXCLUSIVE)
Jonah Hauer-King Teases “Villainous, Horrible Knight” Role In Anna Biller’s ‘The Face of Horror’: “No Redeeming Qualities Whatsoever”
